¿Ã¸²Çª½º Photo&TalK
 
DP¸®ºäÀÇ PEN-F ùÀλó ¸ñ·Ï
±Û¾´ÀÌ : lunic* µî·ÏÀÏ : 2016-01-27 23:01:30 Á¶È¸¼ö : 3,424 Ãßõ¼ö : 1

http://4.static.img-dpreview.com/files/p/E~TS589x442~articles/2513829147/DSCF1143-handson-04.jpeg
http://www.dpreview.com/files/p/articles/4207157327/PenFbody11.jpeg

(À̹ÌÁö Ãâó = DPreview.com)

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History Repeating: Olympus PEN-F First Impressions Review
¿ª»ç´Â ¹Ýº¹µÈ´Ù : ¿Ã¸²Çª½º PEN-F ùÀÎ»ó ¸®ºä
http://www.dpreview.com/reviews/history-repeating-olympus-pen-f-fir...

À̹ÌÁö»ùÇà °¶·¯¸®ÀÔ´Ï´Ù.
http://www.dpreview.com/sample-galleries/3467897297/olympus-pen-f-s...

¸¶Áö¸· ÆäÀÌÁö ¹ø¿ªÀÔ´Ï´Ù.
http://www.dpreview.com/reviews/history-repeating-olympus-pen-f-fir...

First Impressions

The PEN-F essentially takes a brand new 20MP Four Thirds sensor and sticks in in a rangefinder-style body with the guts and specifications of the near-flagship OM-D E-M5 II. What users gain in lovely design, they sacrifice in terms of weather-sealing and versatility (the PEN-F also omits a couple of 'nice to have' extras such as a microphone socket and a 2x2 switch).
PEN-F´Â ±âº»ÀûÀ¸·Î »õ·Î¿î 2õ¸¸È­¼Ò Æ÷½áÁî ¼¾¼­¸¦ ÀåÂøÇßÀ¸¸ç RFÄ«¸Þ¶ó ½ºÅ¸ÀÏ(¿ªÁÖ - »õ PEN-F¸¦ º¸´Ï RF»âÀ̶ó´Â °Å »©µµ¹Úµµ ¸øÇÏ°ÚÁö¸¸ ½½ÇÁ°Ôµµ ¿À¸®Áö³Î PEN-F´Â SLRÀÔ´Ï´Ù;;)ÀÇ ¹Ùµð¿¡ »ó±Þ ±âÁ¾ÀÎ OM-D E-M5 IIÀÇ ¿ä¼ÒµéÀ» Áý¾î³Ö¾ú´Ù. À¯ÀúµéÀº ³¡³»ÁÖ´Â µðÀÚÀÎÀ» ¾ò¾úÁö¸¸, ¹æÁø¹æÀû°ú ¹ü¿ë¼º(¶ÇÇÑ PEN-F´Â 'ÀÖÀ¸¸é ÁÁÀº' ºÎ°¡±â´Éµé - ¸¶ÀÌÅ© ´ÜÀÚ¿Í 2x2 ½ºÀ§Ä¡) µîÀ» Èñ»ýÇØ¾ß Çß´Ù.

Probably the most interesting aspect of the PEN-F is its new 20MP sensor. This is the first time we've seen Olympus use a sensor with more than 16MP in any of its Micro Four Thirds cameras. And though we have not had the chance to spend a ton of time with the Olympus PEN-F, first impressions of image quality are largely positive. Shutter shock has been an issue we've encountered with recent Olympus Micro Four Thirds releases, especially at speeds around 1/60 and 1/80 sec, but judging from our initial testing, this issue appears to have been resolved on the PEN-F.
¾Æ¹«·¡µµ °¡Àå ±â´ëµÇ´Â Á¡Àº ½ÅÇü 2õ¸¸È­¼Ò ¼¾¼­ÀÌ´Ù. ¿Ã¸²Çª½º°¡ ÃÖÃÊ·Î 1600¸¸ È­¼Ò¸¦ ³Ñ´Â ¼¾¼­¸¦ ¾²°Ô µÇ´Â °ÍÀÌ´Ù. ºñ·Ï PEN-F¸¦ Å×½ºÆ®ÇÏ´Â µ¥ ¾ÆÁ÷ ÃæºÐÇÑ ½Ã°£À» °®Áö ¸øÇßÁö¸¸, È­Áú¿¡ ´ëÇÑ ÀλóÀº Å©°Ô ±àÁ¤ÀûÀÌ´Ù. ±Ù·¡ÀÇ ¿Ã¸²Çª½º ¸¶ÀÌÅ©·ÎÆ÷½áÁî Ä«¸Þ¶ó¿¡¼­, ƯÈ÷ 1/60~1/80ÃÊ »çÀÌ¿¡¼­ ¼ÅÅͼîÅ©¸¦ Å©°Ô °æÇèÇßÁö¸¸, ¿ì¸®°¡ ÀÏ´Ü Å×½ºÆ®ÇØ º¼ ¶§, PEN-F´Â ÀÌ ¹®Á¦¸¦ ÇØ°áÇÑ °ÍÀ¸·Î º¸ÀδÙ.

From a design standpoint, the camera is gorgeous to look at. Ergonomics are also terrific, with ample custom buttons, plenty of control dials and a comfortable, grippy design. Despite the annoying lack of weather-sealing, the overall build quality is also quite solid, thanks to the camera's magnesium alloy and aluminum chassis and well-machined dials. The only aspect of the design we question is the lack of customization on the new front creative control dial. We get the appeal of offering creative controls like Art Filters as well as Color and Monochrome profiles, in one single, easy-to-access place on the camera. But we fear for Raw shooters, this potentially quite useful control point will be essentially wasted.
µðÀÚÀÎÀû °üÁ¡¿¡¼­ ÀÌ Ä«¸Þ¶ó´Â º¸±â¿¡ ¾ÆÁÖ ÁÁ´Ù. ÀÎü°øÇÐÀûÀ¸·Îµµ ¾ÆÁÖ ¿ì¼öÇϸç, Ä¿½ºÅÒ ¹öÆ°µéÀÌ ÃæºÐÇÏ°í ¿©·¯ ´ÙÀ̾óµéÀº Æí¾ÈÇÏ¸ç ¼Õ°¡¶ôÀÌ Àß ´Þ¶óºÙ´Â Çü»óÀ» °¡Áö°í ÀÖ´Ù. ¹æÁø¹æÀû 󸮰¡ µÇ¾î ÀÖÁö ¾ÊÀº Á¡ÀÌ Å©°Ô °Å½½¸®Áö¸¸ ¸¶±×³×½· ÇÕ±Ý ¹× ¾Ë·ç¹Ì´½À¸·Î ¸¸µé¾îÁø ¸öü, Àß °¡°øµÈ µðÀÚÀÎ µîÀ¸·Î ÀÎÇØ ¸¸µê»õ´Â ¸÷½Ã ´Ü´ÜÇÏ´Ù. ¿ì¸®°¡ Àǹ®À» °¡Áö´Â µü ÇÑ °¡Áö ºÎºÐÀº Àü¸éºÎÀÇ Å©¸®¿¡ÀÌƼºê ´ÙÀ̾óÀÇ Ä¿½ºÅÒ ¼³Á¤ÀÌ ºÒ°¡´ÉÇÑ Á¡ÀÌ´Ù. ¹°·Ð ¾ÆÆ®ÇÊÅͳª Ä÷¯, ¸ð³ëÅ©·Ò ÇÁ·ÎÆÄÀÏ µîÀÇ ±â´ÉÀ» ¾ÆÁÖ ÁÁÀº À§Ä¡¿¡ ´Þ¸° ´ÙÀ̾ó·Î Á¶ÀÛÇÏ´Â Àç¹Ì°¡ ½ò½òÇÏÁö¸¸, RAW·Î Âï´Â »ç¶÷µé¿¡°Õ ¾ÆÁÖ À¯¿ëÇÒ ¼ö ÀÖ´Â ´ÙÀ̾ó ÇϳªÀÇ ³¶ºñÀÏ »ÓÀÌ´Ù.

Although we try not to talk too much about cost when discussing new cameras (what a particular camera is worth depends entirely on who you're asking) we do think that at the point of launch, the PEN-F is priced rather high. That's because the also recently-released rangefinder-style Fujifilm X-E2S can be had for $500 less, and Sony's 24MP a6000 is currently selling for even less. And both of these cameras use APS-C sensors rather than Four Thirds. As well as bigger sensors, both of these competitive cameras also features hybrid AF systems, rather relying only on contrast detection. Still, the PEN-F packs in some impressive and unique features, including 5-axis image stabilization and an 80MP high resolution capture mode.
¹°·Ð ¿ì¸®°¡ »õ Ä«¸Þ¶ó¸¦ À̾߱âÇÒ ¶§ °¡°ÝÀ» ¹®Á¦»ïÁö´Â ¾ÊÁö¸¸ (¾î¶² ƯÁ¤ÇÑ Ä«¸Þ¶ó´øÁö ±× °¡Ä¡´Â ÀüÀûÀ¸·Î ¾î¶² »ç¶÷ÀÌ ¹°¾îº¸´À³Ä¿¡ ´Þ·ÈÁö¸¸) ¿ì¸®°¡ »ý°¢Çϱ⿡ Ãâ½Ã ½ÃÁ¡¿¡¼­ PEN-F´Â ²Ï ºñ½Î´Ù. ÃÖ±Ù¿¡ Ãâ½ÃµÈ ºñ½ÁÇÑ ½ºÅ¸ÀÏÀÇ X-E2S´Â 500´Þ·¯³ª Àú·ÅÇϸç, ¼Ò´ÏÀÇ 2400¸¸ È­¼ÒÂ¥¸® a6000Àº Áö±Ý ´õ °ª½Î°Ô ±¸ÇÒ ¼ö ÀÖ´Ù. ¶ÇÇÑ µÎ Ä«¸Þ¶ó´Â ¸ðµÎ APS-C±ÞÀÇ ¼¾¼­¸¦ »ç¿ëÇÏ°í ÀÖ´Ù. ±×»Ó¸¸ ¾Æ´Ï¶ó PEN-F´Â ÄÁÆ®¶ó½ºÆ® AF¸¸À» »ç¿ëÇÏÁö¸¸ Àú µÎ Ä«¸Þ¶ó ¸ðµÎ ÇÏÀ̺긮µå AF ½Ã½ºÅÛÀ» °¡Áö°í ÀÖ´Ù. ¹°·Ð PEN-F´Â 5Ãà ¼Õ¶³¸² º¸Á¤À̳ª 8õ¸¸ È­¼Ò °íÈ­Áú ¸ðµå µîÀÇ ±â´ÉÀ» °¡Áö°í ÀÖ±ä ÇÏ´Ù.

Ultimately, despite some concerns, the PEN-F is a nicely made, beautiful camera with some fun and unique features that's a pleasure to use. We're looking forward to doing more shooting - and testing - in the coming weeks.
°á·ÐÀûÀ¸·Î, ¸î °¡Áö °áÁ¡¿¡µµ ºÒ±¸ÇÏ°í PEN-F´Â Àß ¸¸µé¾îÁø ¾Æ¸§´Ù¿î Ä«¸Þ¶óÀÌ¸ç »ç¿ë¿¡ Áñ°Å¿òÀ» ÁÖ´Â Àç¹ÌÀÖ°í µ¶Æ¯ÇÑ ±â´ÉµéÀ» °¡Áö°í ÀÖ´Ù. ¿ì¸®´Â ¸î ÁÖ°£ ÀÌ Ä«¸Þ¶ó¸¦ ´õ ¸¸Á®º¸°í Âï¾îº¸¸é¼­ ¸®ºä¸¦ ÇØ º¼ °ÍÀÌ´Ù.



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